Our new farm at Waikanae was a dairy farm. It was a couple of hundred acres or something and lots of cows, mainly black and white Friesians with a few Jerseys to keep the cream quota up. It was Town Supply - which meant you never got a holiday.
The house was near where the Peka Peka Road now is and looked at the tall Waikanae hills topped with a bush that was different from the Ruahines. It had nikau palms. The house had fleas and a lounge painted shocking pink and a gate with the words:
THIS GATE SWINGS SO OPEN IT.
Soon the fleas were destroyed, the lounge painted a pale lemon and the sign on the gate covered. Dad added a new lounge and extended the kitchen and put in a new bathroom. But that was later. I jump ahead.
Milking the cows was new. We learnt how to use the machines and test for mastitis and clean the yard. "Can I get up and milk?" turned into "Do I have to?" at 4.30 in the morning.
As each new heifer calved for the first time, it would be named. We took turns. Tony was inclined to name them after his old teachers at school, so we had "Mousie" for example. Mousie always had twin calves.
Mousie and Twins
Rick named one cow "Oo-ee-oo-ah-ah-jing-jang-walla-walla-boom-bang-oo-ee-oo-ah-ah-jing-jang-walla-walla-boom" which was affectionately known as "Jimmy". Jimmy always kicked. I was working my way through the orchard with "Quince" and "Plum". My brothers called Plum "Plumb-bob" after what she usually did while being milked.
And the truck would come and take away the milk, and 3.30 p.m. would come and we'd milk, and 4.30 a.m. would come and we'd milk, and the truck would come again. Of course, I didn't milk every morning because I went to school. But in the mornings when I did milk the bedroom light would flick on at 4.15 and Dad would say "Milking Time!" and bring in a cup of tea. Tony and Rick had more trouble getting up because they were busy courting. Tony had left varsity now, because he got sick and almost died. They had a room out the back, and had rigged up a system whereby the alarm clock winder wound a string that switched the light on. Then it turned another alarm on in a kerosene tin that turned a fire alarm bell on. And sometimes you'd hear that fire alarm bell going whoo-whoo-whoo until Dad would get up and go out and wake them himself. But I jump ahead.
Our house was next to the railway line, and at two in the morning a diesel goods train would roar by. On the first night I woke to a thunderous sound, and jumped from my bed into Sue's.
"IT'S THE END OF THE WORLD!" I screamed.
"It's a train!" she cried.
"IT'S THE END OF THE WORLD!"
I soon got used to the trains. In fact, when away from home I'd wake up at the times they should be passing.
The previous owners of the farm must have fed the wild ducks because I counted seventy-two mallards once on our lawn. And there were grey teals too - which were different from mallards because they had different colours under the wing. And the yard became littered with ducklings and chickens and bantam mothers that hatched duck eggs and would go crazy when their children jumped in the water.
We made silage as well as hay. In the mornings after milking you'd feed out, and cut the stinking silage with a great slicer into blocks. Then you'd come home smelling of twenty thousand rotting raisin-packets and have breakfast.
The cows knew when it was milking time. They'd walk down the race in the same order each morning and night, and they'd get milked in the same order. And always, always, there was one that did not come to the shed on its own accord, so you'd walk to the back of the farm just to collect that single, solitary, stubborn cow.
Our farm had another house on it, which we called "The Cabin". It was my museum. I kept all my collections there - sea shells, sponges, birds eggs, birds nests, insects, pressed flowers and weeds and leaves, rocks, fossils, and even an old Maori canoe and carved figure that were found in the peat on the farm. A man from Wellington came and took away the carved figure to the real museum. Later he returned with bits: ancient fossils trapped in rock, chunks of kauri gum, and pieces of moa egg. He showed me how to distinguish fragments of moa egg from fragments of sea shell.
"Mum, I'm going to the museum," I would say. And the museum grew until Sue and her husband and children came to live there. For Sue married Allan. But I jump ahead.
Dad loved to build. He'd put up a hay shed in a weekend, and the Building Inspector would call and say, "You never got a permit".
"For what?" Dad would ask.
"For the hay shed," the man would say.
"Why would I need a permit?" asked Dad.
"Because you need a permit to build," said the man.
"But the hay shed's been there for years," said Dad. And the Building Inspector would leave all perplexed and bothered, convinced that his map was wrong and his records were wrong and his plans were wrong, and that the man who had the job before him must have been a complete idiot. And later, like magic, over a weekend an extension would appear on the implement shed.
Once Dad decided to build a glass house. The frame was up, and the Building Inspector roared in.
"I've caught you! I've caught you in the act!"
But it was a glass house, and a glass house, at least in those days, didn't need a permit. Mum gave the man a cup of tea.
"Hypocrite!" said Dad to Mum.
So we settled in to our new farm in our new place, with or without a permit. In the evenings, after milking, Rick would take us down on the tractor to the beach where we'd swim in the sunset, with sky red and silver and water dark as blood. And Kapiti Island would wade in the sea like a wise, wise giant who had seen a million things in a million years pass by, and was now watching us in this new place.
Kapiti Island from Waikanae Beach
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